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The sonata form is a guide to composers as to the schematic for their works, for interpreters to understand the grammar and meaning of a work, and for listeners to understand the significance of musical events. A host of musical details are determined by the harmonic meaning of a particular note, chord or phrase.
Properly speaking, sonata form did not exist in the Baroque period; however, the forms which led to the standard definition did.In fact, there is a greater variety of harmonic patterns in Baroque works called sonatas than in the Classical period.
Crucial to most interpretations of the sonata form is the idea of a tonal center; and, as the Grove Concise Dictionary of Music puts it: "The main form of the group embodying the 'sonata principle', the most important principle of musical structure from the Classical period to the 20th century: that material first stated in a complementary key ...
Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.
Flute sonata – Sonata specifically composed for the flute. Sonatina – Short sonata, often simpler in structure and melody, used as a teaching tool or for less formal occasions. Trio sonata – Form of sonata for two melodic instruments and basso continuo. Suite – Set of instrumental compositions, typically in dance form, played in a sequence.
The simplest kind of sonata rondo form is a sonata form that repeats the opening material in the tonic at the end of the exposition and recapitulation sections. [A B' A] exp [C"] dev [A B A] recap By adding in these extra appearances of A, the form reads off as AB'AC"ABA , hence the alternation of A with "other" material that characterizes the ...
The entire sonata form, therefore, is understood as a dynamic trajectory toward the ESC, the basic plan of which is foreshadowed by the exposition's approach to the EEC. This teleology is central to Sonata Theorys conception of the dramatic and expressive potential of sonata form as a whole. The crux is the part of the recapitulation where the ...
The sonata form is "the most important principle of musical form, or formal type from the classical period well into the twentieth century." [ 15 ] It is usually used as the form of the first movement in multi-movement works.