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Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic , the supernatural and magical creatures are common in many of these imaginary worlds.
Its roots are in oral traditions, which became fantasy literature and drama. From the twentieth century, it has expanded further into various media, including film, television, graphic novels, manga, animation, and video games. The expression fantastic literature is also often used to refer to this genre by the Anglophone literary critics.
The English Le Morte d'Arthur by Sir Thomas Malory (c. 1408 –1471), was written in prose; this work dominates the Arthurian literature, often being regarded as the canonical form of the legend. [5] Arthurian motifs have appeared steadily in literature from its publication, though the works have been a mix of fantasy and non-fantasy works. [6]
Stories of the end also allow individuals to reflect on their own death, and to make sense of their lives, their place in time, and their relationship to the beginning and the end. Thus, having laid down this theoretical position, Kermode tracks the creation of new attempts to 'make sense of life' through literature.
Fantastique is a French term for a literary and cinematic genre and mode that is characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence.
J. R. R. Tolkien was a professional philologist and an author of fantasy fiction, starting with the children's book The Hobbit in 1937. The Andrew Lang Lecture was important as it brought him to clarify his view of fairy stories as a legitimate literary genre, rather than something intended exclusively for children. [2]
No, I see it hasn't. Well, then, consider that before the novel emerged as the dominant literary form, narrative literature dealt only with the extraordinary or the allegorical – with kings and queens, giants and dragons, sublime virtue and diabolic evil. There was no risk of confusing that sort of thing with life, of course.
The poem is often studied primarily for its unadulterated and in-depth look at the common life of middle class lifestyles in Victorian England. It is considered more valuable among scholars for its historical relevance and its detailed accounts of gendered separations than it is for its literary value.