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Hush you bye, Don't you cry, Go to sleep-y lit-tle ba - by When you wake, you'll have sweet cake, and All the pret-ty lit-tle hor-ses A brown and a gray and a black and a bay and a Coach and six-a lit-tle hor - ses A black and a bay and a brown and a gray and a Coach_____ and six-a lit-tle hor-ses. Hush you bye,
"Hushabye" was covered by the Beach Boys on their 1964 album All Summer Long, featuring Brian Wilson and Mike Love on lead vocals. In 1993, two new versions of the song appeared on the Beach Boys' Good Vibrations box set, one live version and the other a split track with vocals in one channel and instruments in the other.
Hush-a-bye or Hushabye may refer to: "Hushabye", a song recorded by The Mystics; Hushabye, by Hayley Westenra
"Hush-a-bye baby" in The Baby's Opera, A book of old Rhymes and The Music by the Earliest Masters, ca. 1877 The rhyme is generally sung to one of two tunes. The only one mentioned by the Opies in The Oxford Book of Nursery Rhymes (1951) is a variant of Henry Purcell 's 1686 quickstep Lillibullero , [ 2 ] but others were once popular in North ...
Hush-a-bye, don't you cry, go to sleepy little baby. When you wake you shall have cake and all the pretty little horses. Black and bays, dapples and greys, coach and six o' little horses. Blacks and bays, dapples and greys, all the pretty little horses. Hush-a-bye, don't you cry, go to sleepy little baby. Your pa's away, gone astray,
"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
American Lullaby was a song published by Gladys Rich in 1932. The narrator of the piece is a nursemaid, who is putting the baby in her care to sleep. Some might argue that "American Lullaby" is a saddening commentary on how achieving the “American Dream” often ends with unintended results. In this specific case, the baby's parents have ...
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]