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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Payroll is a 1961 British neo-noir crime thriller film directed by Sidney Hayers and starring Michael Craig, Françoise Prévost, and Billie Whitelaw. [1] The screenplay by George Baxt was adapted from Derek Bickerton's 1959 novel of the same name. The film revolves around a group of criminals who plan and execute a wages robbery, which ...
A Turner Classic Movies expert shares his top picks.
All Night Long (also known as Night People) is a 1962 British neo noir drama film directed by Basil Dearden and starring Patrick McGoohan, Keith Michell, Betsy Blair, Paul Harris, Marti Stevens, and Richard Attenborough. [1]
Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with films noir of the classical period, and often treat its conventions self-referentially. Latter-day works are typically referred to as neo-noir ...
Mirage is a 1965 American neo noir thriller film starring Gregory Peck and Diane Baker, and released by Universal Pictures. [2] Directed by Edward Dmytryk [3] from a screenplay by Peter Stone, it is based on the 1952 novel Fallen Angel, written by Howard Fast under the pseudonym Walter Ericson; the novel is not credited by title onscreen. [4]
Gangster film [112] Pretty Poison: Noel Black: Anthony Perkins, Tuesday Weld, Beverly Garland: United States: Crime thriller [113] Roma come Chicago: Alberto De Martino: John Cassavetes, Gabriele Ferzetti, Anita Sanders: Italy [114] Skidoo: Otto Preminger: Jackie Gleason, Carol Channing, Frankie Avalon: United States [115] The Split: Gordon Flemyng
Victim is a 1961 British neo-noir suspense film directed by Basil Dearden and starring Dirk Bogarde and Sylvia Syms. [2] The first British film to explicitly name homosexuality and deal with it sympathetically, [3] it premiered in the UK on 31 August 1961 and in the US the following February.
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