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Francis Bacon: Human Presence contains enough variety of works in its climactic sections to account for the stronger and weaker aspects of the later Bacon, while veering thankfully towards the former.
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
Francis Bacon, 1st Viscount St Alban, [a] 1st Lord Verulam, PC (/ ˈ b eɪ k ən /; [5] 22 January 1561 – 9 April 1626) was an English philosopher and statesman who served as Attorney General and Lord Chancellor of England under King James I.
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides —or Furies—of Aeschylus 's Oresteia , and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
Francis Bacon, 1st Viscount St Alban, KC (22 January 1561 – 9 April 1626) was an English philosopher, statesman, scientist, lawyer, jurist, author, and pioneer of the scientific method. He served both as Attorney General and Lord Chancellor of England. Although his political career ended in disgrace, he remained extremely influential through ...
Study for a Self-Portrait—Triptych, 1985–86 is a triptych painted between 1985 and 1986 by the Irish-born English artist Francis Bacon. It is a brutally honest examination of the effect of age and time on the human body and spirit and was painted in the aftermath of the deaths of many of his close friends.
Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings.
Salomon's House (or Solomon's House) is a fictional institution in Sir Francis Bacon's utopian work New Atlantis, published in English in 1777 [citation needed], years after Bacon's death. In this work, Bacon portrays a vision of the future of human discovery and knowledge.