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112 x 18 Mountain Scene with Castle, Probably Martigny 1802-1803 Tate Britain, London: 43.8 x 54 Tummel Bridge, Perthshire 1802-1803 Yale Center for British Art, Connecticut: 28.9 x 46.7 Chateaux de St Michael, Bonneville, Savoy 1802-1803 Yale Center for British Art, Connecticut: 91.4 x 121.9 Bonneville, Savoy 1803 Dallas Museum of Art, Dallas
Study for a Portrait (Oil on canvas, 152.3 x 117 cm (60 x 46 in), Private collection) [22] Study for Portrait VI (Oil on canvas, 151.45 x 116.21 cm (59 5/8 x 45 3/4 in), Minneapolis Institute of Arts, Minnesota) [23] Study for Portrait VII (Oil on canvas, 152.3 x 117 cm (60 x 46 in), Museum of Modern Art, New York City) [24]
Aacrylic and oilstick on canvas mounted on wood supports 60 1/2 x 60 1/2 in $4.2 million (2014) [84] Private collection 1982 Santo 3: Acrylic, oilstick, crayon, paper collage on canvas with wood supports 36 x 36 in $4.9 million (2019) [26] Private collection 1982 Self-Portrait: Acrylic, oil paintstick, and spray paint on canvas 76 x 94 in [85]
The canvas reveals the influence of Édouard Manet, a painter whom Morisot had met at the Louvre in 1868 and whose brother Eugène Manet she would marry in 1874. The composition of the painting is based on the diagonal formed by the gaze of the mother towards her sleeping daughter and the fabric of the crib in which she sleeps.
Weatherspoon Art Museum, 2002.18. Oil on canvas, 31 1/2 x 25" [263] [264] undated Possibly 1908 version Tanner had paintings on this theme from 1908 to 1911, 1922–1924, and a version for sale in 1935. [266] The painting's name is on the back of the photo at the Smithsonian. [267] The Hiding of Moses [267] Location unknown.
Oil on canvas 64.8 by 90.1 centimetres (25.5 in × 35.5 in) National Gallery of Art, Washington, D.C. [21] Landscape, the Seat of Mr. Featherstonhaugh in the Distance: 1826 Oil on canvas 83.8 by 121.9 centimetres (33.0 in × 48.0 in) Philadelphia Museum of Art, Pennsylvania [22] View on the Schoharie: 1826 Oil on canvas
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