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The painting itself is a reference to the Greek gods Hypnos (sleep) and Thanatos (death) who, in the Greek mythology, were brothers.Despite their similar poses in the painting, the character in the foreground is bathed in light, while his brother is shrouded in darkness; the first therefore represents Sleep, the latter Death. [4]
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
The compositions and the mythological content are close to those of the Darius Painter, and the influences can be seen in his depictions of robes and faces. Other subjects include Hades kidnapped Persephone, Eos kidnapped Cephalus, and Castor and Pollux abducting the daughters of Leucippus. In the first two vases he is quite free in his ...
100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. [1] He chose 20 thematic groups, such as war, the Adoration , the language of colour, the hunt, and bathing, picking five paintings from each. [ 2 ]
A deity who returns from the underworld demonstrates eschatological themes such as the cyclical nature of time and existence, or the defeat of death and the possibility of immortality. [2] A katabasis is arguably a specific type of the famous Hero's journey. In the Hero's journey, the hero travels to a forbidden, unknown realm; a katabasis is ...
Metropolitan Museum of Art The Persephone Painter , working from about 475 to 425 BCE, is the pseudonym of an ancient Attic Greek vase painter, named by Sir John Beazley after investigating a red-figure bell-krater vase of about 440 BC, which includes a mythological scene of the return of Persephone from Hades .
All paintings of the cycle the artist herself calls visual metaphors to the book and not illustrations. [1] In Lena Hades' interview with Nietzsche.ru portal, she told about the prehistory of the cycle: HADES. To be very brief, in my case, there was the birth of painting from the spirit of the text. An artist was born inside me only due to ...
The famous and distinctive style of Greek vase-painting with figures depicted with strong outlines, with thin lines within the outlines, reached its peak from about 600 to 350 BC, and divides into the two main styles, almost reversals of each other, of black-figure and red-figure painting, the other colour forming the background in each case ...