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The Bhagavad Gita (/ ˈ b ʌ ɡ ə v ə d ˈ ɡ iː t ɑː /; [1] Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), [a] often referred to as the Gita (IAST: gītā), is a Hindu scripture, dated to the second or first century BCE, [7] which forms part of the epic Mahabharata.
Bhagavad Gita: The Song of God is the title of the Swami Prabhavananda and Christopher Isherwood's translation of the Bhagavad Gītā (Sanskrit: भगवद्गीता, "Song of God"), an important Hindu scripture. It was first published in 1944 with an Introduction by Aldous Huxley. [1]
The Song Celestial: A Poetic Version of the Bhagavad Gita is a translation of the Bhagavad Gita (a part of the Mahabharata) from Sanskrit into English by Sir Edwin Arnold, first published in 1885. [1] The translation following The Light of Asia, his narrative-poem of the Lalitavistara Sūtra. [2] It is dedicated to India with the following preface:
Bhishma Parva also includes Bhagavad Gita, the dialogue between Arjuna and Krishna on why and when war must be fought, dharma, and the paths to liberation. [1] [2] The Bhishma Parva (Sanskrit: भीष्म पर्व), or the Book of Bhishma, is the sixth of eighteen books of the Indian epic Mahabharata. It has 4 sub-books and 124 chapters.
In the seventeenth chapter of the Bhagavad Gita, from verses 23 to 28, Lord Krishna discussed the meaning and importance of the mantra Om Tat Sat. He said that Om Tat Sat is actually a threefold name of the Supreme Soul with which, at the start of the universe, the Brahmana, Vedas and Yajna were made. [1]
The Gayatri mantra is cited widely in Hindu texts, such as the mantra listings of the Śrauta liturgy, and classical Hindu texts such as the Bhagavad Gita, [5] [6] Harivamsa, [7] and Manusmṛti. [8] The mantra and its associated metric form was known by the Buddha. [9] The mantra is an important part of the initiation ceremony.
The Bhagavad Gita Aarti [5] or Gita Aarti is a prayer not found in the Bhagavad Gita. [specify] [citation needed] The aarti can be spoken, or sung with musical instruments to give more effect to worship. Aartis are usually performed at the end of the puja ritual. It is said that if there was any flaw in the puja, it may be fulfilled by the ...
The narrative of the Dnyaneshwari closely follows the Bhagavad Gita, yet the commentary – called tika in the local tradition – is written in the form of a "song-sermon" that expands the explanation to include a discussion of the major Hindu philosophies and beliefs in the 13th-century.