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Tolkien's drawing of ranalinque, the Quenya name for his invented "moon-grass", in a style reminiscent of Art Nouveau.He professed himself fascinated by plant forms. [1]The plants in Middle-earth, the fictional continent in the world devised by J. R. R. Tolkien, are a mixture of real plant species with fictional ones.
Tolkien's Radagast, with his affinity for animals, knowledge of herbs, and shape-changing abilities, has been compared to a shaman. [1] Altai shaman pictured.. Unfinished Tales explains that Radagast, like the other Wizards, came from Valinor around the year 1000 of the Third Age of Middle-earth and was one of the angelic Maiar.
Dittany: A herb with powerful medicinal properties. Fanged Geranium; Gillyweed: A seaweed-like plant that grants temporary fish-like characteristics to those who ingest it. Gurdyroot: A plant that resembles a green onion. It is the basis for a foul-tasting purple infusion brewed by the Lovegoods to fend off Gulping Plimpies.
Primeval forest: sunlight streaming through undisturbed beech trees. Tolkien makes use of wild nature in the form of forests in Middle-earth, from the Trollshaws and Mirkwood in The Hobbit, reappearing in The Lord of the Rings, to the Old Forest, Lothlórien, and Fangorn forest which each occupy whole chapters of The Lord of the Rings, not to mention the great forests of Beleriand and Valinor ...
Tolkien stated that he wanted to create a mythology evocative of England, not of Italy. Scholars have noted aspects of his work, such as the plants of Ithilien, which are clearly Mediterranean but not specifically classical. Tolkien's fiction was brought to a new audience by Peter Jackson's film version of The Lord of the Rings.
The British author J. R. R. Tolkien (1892–1973) and the names of fictional characters and places he invented for his legendarium have had a substantial impact on culture, and have become the namesakes of various things around and outside the world, including street names, mountains, companies, species of animals and plants, asteroids, and other notable objects.
Tolkien was an expert in Anglo-Saxon literature, especially Beowulf, which like The Lord of the Rings is about a pagan world told by a Christian narrator. [3] 1908 illustration by J. R. Skelton. Paganism covers an eclectic mix of religious beliefs and practices, often including many gods and a living nature imbued with spirit . It was defined ...
Tolkien uses green for the Wood-Elves, blue for the Men of Lake-town (Esgaroth) on the good side; red and black for the goblins or Orcs of the bad side. Hriban notes that Tolkien continues the association of these colours with good and evil into The Lord of the Rings .