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Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of humanities at Yale University. [1] In 2017, Bloom was called "probably the most famous literary critic in the English-speaking world". [ 2 ]
The Western Canon: The Books and School of the Ages is a 1994 book about Western literature by the American literary critic Harold Bloom, in which the author defends the concept of the Western canon by discussing 26 writers whom he sees as central to the canon.
Pages in category "Books by Harold Bloom" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A. The American Religion;
Patricia Aakhus (1952–2012), The Voyage of Mael Duin's Curragh Rachel Aaron, Fortune's Pawn Atia Abawi Edward Abbey (1927–1989), The Monkey Wrench Gang Lynn Abbey (born 1948), Daughter of the Bright Moon Laura Abbot, My Name is Nell Belle Kendrick Abbott (1842–1893), Leah Mordecai Eleanor Hallowell Abbott (1872–1958), poet, novelist and short story writer Hailey Abbott, Summer Boys ...
The Flight to Lucifer: A Gnostic Fantasy is a 1979 fantasy novel by American critic Harold Bloom, inspired by his reading of David Lindsay's fantasy novel A Voyage to Arcturus (1920). The plot, which adapts Lindsay's characters and narrative and features themes drawn from Gnosticism , concerns Thomas Perscors, who is transported from Earth to ...
The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical [ 1 ] approach to literary criticism .
Most of the book is devoted to critical analyses of the plays and not explanation of the book's subtitle; though these analyses are "richly packed with brilliant observations", they "do not add up to the kind of systematic support Bloom's central claim deserves and demands", and not enough attention is given to the ramifications of that claim. [5]
What makes a book "classic" is a concern that has occurred to various authors ranging from Italo Calvino to Mark Twain and the related questions of "Why Read the Classics?" and "What Is a Classic?" have been essayed by authors from different genres and eras (including Calvino, T. S. Eliot, Charles Augustin Sainte-Beuve).