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Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, [ 6 ] before being released in the UK and Europe on 12 November and then in the US the day after.
The Cure are an English rock band formed in Crawley, West Sussex in 1976 by guitarist, lead vocalist, and main songwriter Robert Smith and drummer Lol Tolhurst. [1] Throughout numerous lineup changes since the band's formation, including stints of guitarist Pearl Thompson and drummer Boris Williams, Smith has remained the only constant member, though bassist Simon Gallup has been present for ...
Wish was the Cure’s last album with drummer Boris Williams and producer David M. Allen, both of whom were a big part of the sound of the band’s biggest hits. Now the album feels like the ...
The Cure's debut album, Three Imaginary Boys (1979), reached number 44 on the UK Albums Chart. [5] The next two albums, Seventeen Seconds (1980) and Faith (1981), were top 20 hits in the UK, reaching number 20 and number 14 respectively. [5] Between 1982 and 1996, the Cure released seven studio albums, all of which reached the Top 10 in the UK. [5]
It is the band's last release for record label Fiction. The song was re-recorded later in 2001 for the band's Acoustic Hits release, which contains eighteen re-recordings of previous songs by the band using acoustic guitars and was only released as a limited edition bonus disc to said greatest hits album.
"In Between Days" is widely regarded as one of the Cure's best songs. In 2019, Billboard ranked the song number three on their list of the 40 greatest Cure songs, [11] and in 2023, Mojo ranked the song number two on their list of the 30 greatest Cure songs.
"Killing an Arab" is the debut single by English rock band the Cure. It was recorded at the same time as their first album Three Imaginary Boys (1979), but not included on the album. However, it was included on the band's first US album, Boys Don't Cry (1980). [2] The song's title and lyrics reference Albert Camus's novel The Stranger.
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