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Beeke, Joel, and Randall Pederson, Meet the Puritans: With a Guide to Modern Reprints, (Reformation Heritage Books, 2006) ISBN 978-1-60178-000-3; Cross, Claire, The Puritan Earl, The Life of Henry Hastings, Third Earl of Huntingdon, 1536-1595, New York: St. Martin's Press, 1966.
The prohibition against icons was due to verses in Exodus 20:4 which critiqued the worship of graven images. [31] [32] Most figurative images were destroyed or plastered over, with exceptions of images at the monastery of Saint Catherine on Mount Sinai, Egypt. [33] [30] Byzantine art style declined after the Fall of Constantinople in 1453. [34 ...
The Godly Man's Picture is a work of systematic theology by Thomas Watson, a 17th century English Puritan preacher. The full title is The Godly Man's Picture Drawn with a Scripture Pencil, or, Some Characteristic Marks of a Man who is Going to Heaven. The book is a work of English Puritan spirituality.
The Book of Job was an important influence upon Blake's writings and art; [11] Blake apparently identified with Job, as he spent his lifetime unrecognized and impoverished. Harold Bloom has interpreted Blake's most famous lyric, The Tyger , as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [ 12 ]
This page was last edited on 6 July 2024, at 17:05 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply ...
The Biblia pauperum (Latin for "Paupers' Bible") was a tradition of picture Bibles beginning probably with Ansgar, and a common printed block-book in the later Middle Ages to visualize the typological correspondences between the Old and New Testaments. Unlike a simple "illustrated Bible", where the pictures are subordinated to the text, these ...
John Milton (1608–1674), most famous for his epic poem "Paradise Lost" (1667), was an English poet with religious beliefs emphasizing central Puritanical views.While the work acted as an expression of his despair over the failure of the Puritan Revolution against the English Catholic Church, it also indicated his optimism in human potential.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
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