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The Lydian scale can be described as a major scale with the fourth scale degree raised a semitone, making it an augmented fourth above the tonic; e.g., an F-major scale with a B ♮ rather than B ♭. That is, the Lydian mode has the following formula:
Half diminished scale on C. Play ... Lydian diminished scale: Lydian diminished on C. 1 2 ...
Lydian augmented ♯6 scale: Lydian augmented dominant scale: Lydian dominant ♭6: major Locrian scale: half-diminished ♭4 scale, altered dominant ♯2 scale: altered dominant 3 scale double harmonic scale, Dorian ♭2 ♯3 ♭6 ♯7 scale double harmonic scale, double harmonic major scale, (Dorian ♭2 ♯3 ♭6 ♯7 scale) Lydian ♯2 ♯6 ...
Its tonic chord is a diminished triad (B dim = B dim 5 min 3 = B D F, in the Locrian mode using the white-key diatonic scale with starting note B, corresponding to a C major scale starting on its 7th tone). This mode's diminished fifth and the Lydian mode's augmented fourth are the only modes that contain a tritone as a note in their modal scale.
This scale is also called the super-Locrian scale, as it is indeed reminiscent of a Locrian scale with a ♭ 4, but it is usually regarded as that of major quality. Another name for this scale is the diminished whole-tone scale due to its resemblance to the lower part of the diminished scale and the upper part of the whole tone scale.
Acoustic scale or Lydian dominant scale t-t-t-s-t-s-t So-called because it is close to the scale built on natural overtones and combines Lydian raised fourth with Mixolydian (Dominant) flat seventh; Aeolian dominant scale or Mixolydian ♭ 6 scale t-t-s-t-s-t-t Like natural minor (aeolian) but with a major third; Half diminished scale on C Play ⓘ
This is often interpreted as a quartal hexachord consisting of an augmented fourth, diminished fourth, augmented fourth, and two perfect fourths.The chord is related to other pitch collections, such as being a hexatonic subset of the overtone scale, also known in jazz circles as the Lydian dominant scale, lacking the perfect fifth.
As a result, the seventh scale degree is a subtonic, rather than a leading-tone. [7] The flattened seventh of the scale is a tritone away from the mediant (major-third degree) of the key. The order of whole tones and semitones in a Mixolydian scale is whole, whole, half, whole, whole, half, whole