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The second appearance is at the Festival of Fools, where he acts as the Lord of Misrule, or master of ceremonies, sings "Topsy Turvy," a dance number that explains that it is "the day we do the things that we deplore on the other three-hundred-and-sixty-four." It is also during this song that he crowns Quasimodo the "King of Fools."
In The World Upside Down in 16th-Century French Literature and Visual Culture, [3] Vincent Robert-Nícoud introduces the mundus inversus by writing (p. 1): . To call something ‘inverted’ or ‘topsy-turvy’ in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things.
Topsy-Turvy, a 2002 album by The Apex Theory; Topsy Turvy (Guitar Shorty album), a 1993 album by Guitar Shorty "Topsy Turvy", a song from the 1996 film The Hunchback of Notre Dame. Topsy Turvy, a video in the Disney Sing-Along Songs series; Topsy Turvy (Young Fresh Fellows album), a 1985 album by Young Fresh Fellows
The Purchase of the North Pole or Topsy-Turvy (French: Sans dessus dessous) is an adventure novel by Jules Verne, published in 1889.It is the third and last novel of the Baltimore Gun Club, first appearing in From the Earth to the Moon, and later in Around the Moon, featuring the same characters but set twenty years later.
Topsy Turvy (Black Top, 1993) Get Wise to Yourself (Black Top, 1995) Blues Is All Right (Janblues, August 27, 1996) Billie Jean Blues (Collectables, August 27, 1996) Roll Over, Baby (Black Top, 1998) I Go Wild! (Evidence, 2001) Watch Your Back (Alligator Records, 2004) The Best of Guitar Shorty: The Long and Short of It (Shout! Factory, June 2006)
NGC 1313 (also known as the Topsy Turvy Galaxy [2]) is a field galaxy [3] and an irregular galaxy [4] discovered by the Scottish astronomer James Dunlop on 27 September 1826. [5] It has a diameter of about 50,000 light-years , or about half the size of the Milky Way .
PopMatters described Topsy-Turvy as "an energy-filled fusion of progressive and modern rock." [4] The MTV News writer Jon Wiederhorn wrote that "the Apex Theory's multi-textured music [...] combines metal, prog-rock, Mediterranean music and even jazz. And the off-kilter rhythm, skittering drums, whirlpool guitars and aggressive vocals of 'Shhh ...
Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion: fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. [2]