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The alto saxophone is pitched in the key of E ♭, smaller than the B ♭ tenor but larger than the B ♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music).
Music for alto saxophone and orchestra (1993/95)—Bertold Hummel; Cyber Bird Concerto, for alto saxophone and orchestra, Op. 59 (1994)—Takashi Yoshimatsu; My Assam Dragon for alto saxophone and orchestra (1994/1996)—Jan Sandström; Chamber Symphony No. 3 for alto saxophone and 20 string instruments(1995–96)—Kalevi Aho
Raphael Ravenscroft (pictured in 2014 with a tenor saxophone) played the alto sax riff, based on a guitar part in Rafferty's demo. "Baker Street" features a prominent eight-bar saxophone riff by the session musician Raphael Ravenscroft, played as a break between verses. Billboard described it as "the most recognizable sax riff in pop music ...
"Harlem Nocturne", in a version with Bud Shank on alto sax, [4] was the theme song of the television series Mickey Spillane's Mike Hammer [5] and The New Mike Hammer. [6] Harold Faltermeyer recorded a version for the soundtrack to the film Tango & Cash.
His most recognizable performances include the saxophone introduction to "Turn the Page" [5] and the saxophone solo in "Old Time Rock and Roll".Reed also recorded the soundtracks for two of Jeff Daniels' films, and performed with many bands and musicians, such as Foghat, Grand Funk Railroad, Little Feat, Otis Rush, Enchantment, Jamie Oldaker, George Terry, Dave Mason, Spencer Davis, Tico ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Perhaps his best known recorded work as a sideman is a pop piece, his alto sax solo on Billy Joel's 1977 "Just the Way You Are". [1] He also played the alto sax solo on Steely Dan's "Doctor Wu" from their 1975 album Katy Lied, [5] as well as Paul Simon's "Have a Good Time" from the 1975 album Still Crazy After All These Years. [6] Woods in 1983
Stanley introduced them backstage, where Parker offered Morgan advice about starting out on the alto sax, and they met at a music store the following day. Morgan, seven years old at the time, assumed they'd be picking out a saxophone, but Parker suggested he start on the clarinet to develop his embouchure. Morgan practiced on the clarinet for ...
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