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The dominant form of German lyric poetry in the period was the minnesang, "a love lyric based essentially on a fictitious relationship between a knight and his high-born lady". [12] Initially imitating the lyrics of the French troubadours and trouvères, minnesang soon established a distinctive tradition. [12]
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
Punctuations as poetic devices. Punctuation is an object of interpretation in poetry; it is semantic. [4] In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of ...
Alcaeus and Sappho (Brygos Painter, Attic red-figure kalathos, c. 470 BC). Greek lyric is the body of lyric poetry written in dialects of Ancient Greek.It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", [1] but continued to be written into the Hellenistic and Imperial periods.
Lyric. Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium; Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode
In the early years of the 20th century, rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in America, [1] Europe and the British colonies. The relevance and acceptability of the lyric in the modern age was, though, called into question by modernism , the growing mechanization of human experience and ...
Aeolic verse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos, Sappho and Alcaeus, who composed in their native Aeolic dialect. These verse forms were taken up and developed by later Greek and Roman poets and some modern European poets.
Specific poetic forms have been developed by many cultures. In more developed, closed or "received" poetic forms, the rhyming scheme, meter and other elements of a poem are based on sets of rules, ranging from the relatively loose rules that govern the construction of an elegy to the highly formalized structure of the ghazal or villanelle. [114]