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Violeta del Carmen Parra Sandoval (Spanish pronunciation: [bjoˈleta ˈpara]; 4 October 1917 – 5 February 1967) was a Chilean composer, singer-songwriter, folklorist, ethnomusicologist and visual artist. [2]
An amber-coloured rose. Roses are one of the most popular garden shrubs in the world with both indoor and outdoor appeal. They possess a number of general features that cause growers and gardeners to choose roses for their gardens.
"Pra não dizer que não falei das flores" (Portuguese for "Not to say that I haven't spoken about the flowers"), also known as "Caminhando" (Portuguese for "Walking" or "Going forward"), is a song composed by Geraldo Vandré that ranked second in the III Festival Internacional da Canção in 1968.
Jules Gravereaux in Roseraie du Val-de-Marne, 1900. Of the over 150 species of rose, the Chinese Rosa chinensis has contributed most to today's garden roses; it has been bred into garden varieties for about 1,000 years in China, and over 200 in Europe. [1]
She studied dance and theatre art in the Escuela Superior de Madrid. [3] She made her film debut in 1975 with César Fernández Ardavín's No matarás. [6] Another early major credit is her performance as Rosa (a sexually provocative woman and unwed mother) in Black Brood (1977), a film portraying fascist violence in post-Francoist Spain. [7]
"Lloran Las Rosas" (English: The Roses Cry) is a power ballad written by Alfredo Matheus Diez and performed by Mexican singer-songwriter Cristian Castro. It was released by BMG U.S. Latin on November 3, 1997, as the fourth single from his fifth studio album Lo Mejor de Mí (1997).
Still Life with Lemons, Oranges and a Rose is an oil-on-canvas painting by Baroque Spanish artist Francisco de Zurbarán completed in 1633. It is currently displayed at the Norton Simon Museum in Pasadena, California as part of its permanent collection.
Among the following verses a frequently cited phrase is "Amor es el pan de la vida, amor es la copa divina, (English: "Love is the bread of life, love is the divine cup") amor es un algo sin nombre que obsesiona a un hombre por una mujer. [3] These and other lyrics are referenced in a number of modern Spanish literary works. [4]