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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
WD566, Hamilton, Douglas (1818-1892) is an album of 26 pen and ink drawings of views in the Palni Hills. This 60 folio volume of views in the Palni Hills was made in 1862, with printed titles and descriptions and some drawings inscribed with titles in pencil. Size of the volume is 20 by 25 inches. It was deposited c. 1866. [8] These drawings are:
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Coarse woody debris (CWD) or coarse woody habitat (CWH) refers to fallen dead trees and the remains of large branches on the ground in forests [1] and in rivers or wetlands. [2] A dead standing tree – known as a snag – provides many of the same functions as coarse woody debris. The minimum size required for woody debris to be defined as ...
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole.Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School.
A fir tree snag among living fir trees. In forest ecology, a snag refers to a standing dead or dying tree, often missing a top or most of the smaller branches.In freshwater ecology it refers to trees, branches, and other pieces of naturally occurring wood found sunken in rivers and streams; it is also known as coarse woody debris.
While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor. Many were published in Flora Parisiensis , [ 53 ] by Poiteau and Turpin (1808) and some by Turpin (and Ernestine Panckoucke ) in Flore médicale [ 54 ] by François-Pierre Chaumeton (1814–1820).
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
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