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Betty Sabo (Betty Jean Beals; née Angelos Sabo; September 15, 1928 – May 10, 2016) was an American landscape painter and sculptor. She is best known for her realistic oils of New Mexico landscapes.
In 1930, Georgia O'Keeffe created 54 works, some of which were created in Maine and New York, though the majority were completed in New Mexico. [4] In April of that year, she continued her exploration of natural forms in Maine, expanding on her ongoing shell series first initiated in the 1920s (Shell and Old Shingle I, Shell and Old Shingle VII, 1926; Shell No. 2, 1928) and continuing ...
A first day issuance ceremony was held in New York City at the World Stamp Show that day and another public ceremony was held at Bandelier National Monument in New Mexico with Naumer family members in attendance. The Gerald Peters Art Gallery in Santa Fe, New Mexico represents the Naumer family with many selections of Helmuth Naumer's artwork.
Hurd, the son of famed artists Peter Hurd (1904-1984) and Henriette Wyeth (1907-1997), paints "every damn day" and presides over 2,400 acres of land that straddles the Ruidoso River in San ...
The experiences and sights of this short visit to Santa Fe, convinced Jonson to move to New Mexico in 1924 to focus on painting among the southwestern landscapes. In Santa Fe, Jonson started the Atalaya Art School and arranged for a "Modern Wing" in which he mounted monthly exhibitions by modern artists at the New Mexico Museum of Art from 1927 ...
Sep. 18—When storms churn across the New Mexico landscape, they have long served as eye candy for local artists. Open at the New Mexico Art League, "Force of Nature" gathers the interpretations ...
On her visits to various Pueblos, Schnaufer was accompanied by a young Canadian artist, Ernest Knee, a photographer whose landscape images are a record of New Mexico's photographic history. Although there was a nine-year age difference, Schnaufer married the younger artist in 1933, and is best known by his surname despite a subsequent 1945 ...
The Sharps finally made a permanent move to Taos in 1912, where Addie died in 1913. Responding to the new landscape and light of New Mexico, Sharp began to change some of his techniques. Although he had trained as an academic painter and usually worked in his studio, he adopted plein air painting for the first time. [11]