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Brassy. Used almost exclusively as a French horn technique to indicate a forced, rough tone. A note marked both stopped and loud will be cuivré automatically [2] custos Symbol at the very end of a staff of music which indicates the pitch for the first note of the next line as a warning of what is to come.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile ...
The first mass-marketed, affordable synthesizer keyboard in the 1980s, which became very popular in pop and dance music of that era. The DX-7 used FM synthesis to create new electronic sounds. There were a number of synths before the DX-7, like the Fairlight CMI, but they were so expensive that they were owned by very few people.
Dance music. Slow dance; Drug use in music; Incidental music or music for stage and screen: music written for the score of a film, play, musicals, or other spheres, such as filmi, video game music, music hall songs and showtunes and others; Independent music. Multi-instrumentalist. A cappella; Bassist; Drummer. Percussion. Found object (music ...
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Dance studio with barre rails, mirrors, and mounted speakers. A dance studio normally includes a smooth floor covering or, if used for tap dancing, by a hardwood floor. The smooth vinyl floor covering, also known as a performance surface and commonly called "marley", is generally not affixed permanently to the underlying floor and can be rolled up and transported to performance venues if needed.
In wind playing too, it seems that vibrato in music up to the 20th century was seen as an ornament to be used selectively. Martin Agricola writing in his Musica instrumentalis deudsch (1529) writes of vibrato in this way. Occasionally, composers up to the baroque period indicated vibrato with a wavy line in the sheet music. Again, this does not ...