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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
The Social Sculpture Lab continues to engage with, develop and share Beuys' social sculpture understandings through such initiatives as the 7000 HUMANS Global Social Forest,. which has close connections with Beuys' 7000 Oaks, Sacks' social sculpture-connective practice methodologies, and a growing network of Social Sculpture Hubs in Germany ...
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Social Theory and Practice is a peer-reviewed academic journal that features discussion of theoretical and applied questions in social, political, legal, economic, educational, and moral philosophy, including critical studies of classical and contemporary social philosophers. Established in 1970, it publishes original philosophical work by ...
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
Theory, Culture & Society is a peer-reviewed academic journal that was established in 1982 and covers sociology, cultural, and social theory.The journal [1] aims to work "across the borderlines between sociology and cultural studies, the social sciences and the humanities and has moved towards a broader transdisciplinary frame of reference."
Social practice art" is a term for artwork that uses social engagement as a primary medium, and is also referred to by a range of different names: socially engaged art, [10] community art, new-genre public art, [11] participatory art, interventionist art, and collaborative art.
Jorge Otero-Pailos (born 27 October 1971) is an artist, preservation architect, theorist and educator, recognized for his contributions to experimental preservation and as the founder and editor of the journal Future Anterior, the first scholarly journal dedicated to preservation theory.