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Schiele's 1917 Seated Woman piece portrays a young female figure, modeled after Edith. [5] Depicted as sitting on the ground, the figure assumes an informal and provocative pose. [ 1 ] [ 2 ] [ 5 ] Although in a relaxed pose and at ease, [ 1 ] [ 9 ] Schiele's model has also been conversely described as "charged with a nervous energy", [ 2 ] and ...
Sitting kneel: where the thighs are near horizontal and the buttocks sit back on the heels with the upper body vertical - for example as in Seiza, Virasana, and Vajrasana (yoga) Taking a knee: where the upper body is vertical, one knee is touching the ground while the foot of the other leg is placed on the ground in front of the body
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
It is a figure study made in preparation for his painting The Entombment, and is Michelangelo's only surviving study that was probably drawn from a nude female model. [1] It also may be the earliest extant European drawing of a nude female model. [1] The figure in the drawing relates to a woman seated in the lower left foreground of the painting.
Shiva, Chola bronze, 12th-century Chinese wooden Guanyin in "royal ease" pose, Song dynasty Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or " royal ease " in English, and is a relaxed pose typical in royal portraits and those of religious figures whose ...
The Sitting Woman, on the other hand, assumes a contemplative posture by placing both hands on a single leg while sitting directly on the ground, without the use of a chair. Her left leg extends outward, her right leg is bent, her hips are distinctly delineated, and her facial expression is equally evocative.
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A woman in seiza performing a Japanese tea ceremony. Prior to the Edo period, there were no standard postures for sitting on the floor. [1] During this time, seiza referred to "correct sitting", which took various forms such as sitting cross-legged (胡坐, agura), sitting with one knee raised (立て膝, tatehiza), or sitting to the side (割座, wariza), while the posture commonly known as ...