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William-Adolphe Bouguereau (French pronunciation: [wiljam adɔlf buɡ(ə)ʁo]; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. [ 1 ]
The Elder Sister (French: La soeur aînée) is an oil-on-canvas painting created in 1869 by the French academic artist [1] William-Adolphe Bouguereau. [2] It was acquired in 1992 by the Museum of Fine Arts, Houston, as a gift. [3] According to the museum website, the painting was the gift of an anonymous lady in memory of her father.
The Birth of Venus (French: La Naissance de Vénus) is one of the most famous paintings by 19th-century painter William-Adolphe Bouguereau.It depicts not the actual birth of Venus from the sea, but her transportation in a shell as a fully mature woman from the sea to Paphos in Cyprus.
Equality Before Death is an 1848 oil-on-canvas painting by the French academic painter William-Adolphe Bouguereau. It depicts an angel of death covering the body of a young man with a shroud. [1] It is located at the Musée d'Orsay in Paris. [1]
Evening Mood (Humeur Nocturne) is an 1882 painting by the French academic painter William-Adolphe Bouguereau, now in the collection of the Havana's Museum of Fine Arts, in Cuba. In an article for Spatial Vision , Baingio Pinna praises Bouguereau's technical skill, writing:
Nymphs and Satyr (French: Nymphes et Satyre) is an oil on canvas painting created by the French artist William-Adolphe Bouguereau in 1873. The painting depicts a satyr and a group of nymphs from Greek mythology .
L'Amour et Psyché, enfants is an oil painting executed by the French painter William Adolphe Bouguereau in 1890. It is currently in a private collection. It was displayed in the Salon of Paris in 1890, the year Bouguereau was President of the Société des Artistes Français. [1]
The Bohemian is an oil painting on canvas completed in 1890 by the French painter William-Adolphe Bouguereau.It depicts a barefooted young woman sitting on a concrete bench on the south bank of the Seine across from Notre Dame de Paris resting a violin in her lap.
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