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2. 10 Pedals Every Guitarist Should Own - AOL

   www.aol.com/entertainment/10-pedals-every...

   It’s 2024, guitar pedals are bigger than ever, and Bill Finnegan still hasn’t shown any kind of inclination or desire to make anywhere near enough of his legendary Klon pedals to satisfy ...

3. List of distortion pedals - Wikipedia

   en.wikipedia.org/wiki/List_of_distortion_pedals

   A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.

4. Big Muff - Wikipedia

   en.wikipedia.org/wiki/Big_Muff

   This pedal was designed for the Scottish band Mogwai, and has a slightly more extreme sound. Electro-Harmonix produced only 100 Mogwai Big Muff pedals. In 2017 Electro-Harmonix reissued the Sovtek Big Muff, commonly known as the 'Green Russian' [6] Deluxe Bass Big Muff Pi. Note the blend knob and crossover section.

5. Pro Co RAT - Wikipedia

   en.wikipedia.org/wiki/Pro_Co_RAT

   Numerous variations of the original RAT pedal are still being produced today, and it has become the 8th best selling guitar pedal of all time. [2] The pedal has changed in appearance over the years, but its tone has remained largely the same. Pro Co has also introduced variations of the RAT, including the Turbo RAT and the You Dirty RAT, among ...

6. Universal Audio’s amp sim pedals are an affordable route to ...

   www.aol.com/news/universal-audio-uafx-guitar-amp...

   The $400 UAFX Amp Emulator pedals are the most convincing recreations of tube amps I've played. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: 800-290-4726 more ...

7. Klon Centaur - Wikipedia

   en.wikipedia.org/wiki/Klon_Centaur

   The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.