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This means if the musical or play is based on a book, it is important that the rights to the book have been acquired before the musical or play can be produced on Broadway or in London. In 2010, this became a problem in the Broadway production of the musical Fela!. Carlos Moore is said to be the only official biographer of Fela Anikulapo Kuti.
Therefore, the law recognizes each category of works as a separate property right that is protected by itself despite being incorporated into another work. Thus, the composer of a musical work or the author of a literary work can continue to maintain copyright in their works despite licensing the same to the producer for the creation of a ...
Broadway Play Publishing Inc (BPPI) was established in New York City in 1982 to publish and license the stage performance rights of contemporary American plays. The Broadway Play Publishing Inc catalog consists of over 1,200 plays and over 400 authors, such as: Constance Congdon, María Irene Fornés, A. R. Gurney, Tony Kushner, Neil LaBute, Richard Nelson, Eric Overmyer, José Rivera, Naomi ...
Grease is a musical with music, lyrics, and a book by Jim Jacobs and Warren Casey.Named after the 1950s United States working-class youth subculture known as greasers and set in 1959 at the fictional Rydell High School in Northwest Chicago [1] (based on Taft High School in Chicago, Illinois, [2] and named after rock singer Bobby Rydell [3]), the musical follows ten working-class teenagers as ...
The copyright law of the United States grants monopoly protection for "original works of authorship". [1] [2] With the stated purpose to promote art and culture, copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly. These ...
Music plagiarism is the use or close imitation of another author's music while representing it as one's own original work.Plagiarism in music now occurs in two contexts—with a musical idea (that is, a melody or motif) or sampling (taking a portion of one sound recording and reusing it in a different song).
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After the studio system's collapse in the 1950s, actors and their agents fought for billing on a film-by-film basis. This, combined with changes in union contracts and copyright laws, led to more actors and crew members being included in the credits sequence, expanding its size significantly.