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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Conservation-restoration is the practice of cleaning and discovering the original state of an object, investigating the proper treatments and applying those treatments to restore the object to its original state without permanently altering the object, and then preserving the object to prevent further deterioration for generations to come (Caple, p. 5-6). [1]
Two large stained-glass windows installed by Hartford City Glass Company's Belgian glass workers A New England Glass Company ewer , 1840–1860 A Novelty Glass Company advertisement in 1891 An electrical insulator made by Whitall Tatum Company , circa 1922
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
Highest listing price on eBay: $750 Hazel Atlas Blue Royal Lace stands out among Depression glass patterns, prized for its intricate design and vibrant cobalt blue hue. Produced between 1934 and ...
The primary aim of conservation is to slow the rate of deterioration, caused by various factors, to the point where the loss of significance, such as historic information and/or aesthetic value can be kept to a minimum (Pye 2001, Ch. 5).
The chapel's extensive iconography consists of stained glass, stonemasonry, and wood carvings. Among the stained glass are four "great windows", one facing each cardinal direction, and four "Christian epic" windows in the walls of the choir. The iconography was planned by Albert M. Friend, a faculty member in Princeton's Department of Art and ...
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...
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