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Cupid and Psyche is a rich source for scenarios, and several artists have produced cycles of works based on it, including the frescoes at the Villa Farnesina (ca. 1518) by Raphael and his workshop; frescoes at Palazzo del Tè (1527–28) by Giulio Romano (painter)Giulio Romano; engravings by the "Master of the Die" (mid-16th century); and ...
Cupid and Psyche by Anthony van Dyck. Psyché is an opera (tragédie lyrique) in a prologue and five acts composed by Jean-Baptiste Lully to a libretto by Thomas Corneille [1] (adapted from Molière's original play for which Lully had composed the intermèdes).
The story of Psyche and Cupid is recounted by an old woman to a young girl kidnapped by brigands. Apuleius's version was far too ribald and overtly sexual for the 17th century stage, or even for the 17th century reader, and the story had been adapted to the morals of the time on several occasions.
Articles relating to Cupid and Psyche, a story originally from Metamorphoses (also called The Golden Ass), written in the 2nd century AD by Apuleius.The tale concerns the overcoming of obstacles to the love between Psyche and Cupid (also known as Eros), and their ultimate union in a sacred marriage.
The story of Cupid and Psyche appears in Greek art as early as the 4th century BC, but the most extended literary source of the tale is the Latin novel Metamorphoses, also known as The Golden Ass, by Apuleius (2nd century AD). It concerns the overcoming of obstacles to the love between Psyche ("Soul" or "Breath of Life") and Cupid, and their ...
The novel itself is written in a picaresque Roman style, yet Psyche retains her Greek name even though Eros and Aphrodite are called by their Latin names (Cupid and Venus). Also, Cupid is depicted as a young adult, rather than a fat winged child (putto amorino). [28] The story tells of the quest for love and trust between Eros and Psyche.
Psyche is in love with Cupid (L'Amour) but is punished by the jealous Venus. Cupid and Psyche are shipwrecked in a storm conjured up by the Fury Tisiphone and Psyche drowns. Cupid journeys to the underworld and rescues Psyche but daylight reveals that her beauty has been destroyed by Tisiphone. Nevertheless, Cupid declares he is still in love ...
The relationship depicted in this painting between Cupid and Psyche is inspired by the narrative of the Latin poet Apuleius in The Golden Ass, and was a subject that repeatedly inspired neoclassical painters, sculptors and writers of the late 18th and the early 19th centuries. The gestures of Eros, the god of love, remain measured, almost ...