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This result suggests that the bottom-up cues that drive the flicking response are distinct from the top-down cues that drive the Hollow-Face illusion. Another example of the Hollow-Face illusion is the "Gathering 4 Gardner" dragon. This dragon's head seems to follow the viewer's eyes everywhere (even up or down), when lighting, perspective and ...
Heighway dragon curve. A dragon curve is any member of a family of self-similar fractal curves, which can be approximated by recursive methods such as Lindenmayer systems.The dragon curve is probably most commonly thought of as the shape that is generated from repeatedly folding a strip of paper in half, although there are other curves that are called dragon curves that are generated differently.
The Hering illusion (1861): When two straight and parallel lines are presented in front of radial background (like the spokes of a bicycle), the lines appear as if they were bowed outwards. Hollow-Face illusion: The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face.
Kōkichi Sugihara (Japanese: 杉原厚吉, born June 29, 1948, in Gifu Prefecture) [1] [2] is a Japanese mathematician and artist [3] known for his three-dimensional optical illusions that appear to make marbles roll uphill, [4] [5] pull objects to the highest point of a building's roof, [6] and make circular pipes look rectangular. [7]
An autostereogram is a two-dimensional (2D) image that can create the optical illusion of a three-dimensional (3D) scene. Autostereograms use only one image to accomplish the effect while normal stereograms require two. The 3D scene in an autostereogram is often unrecognizable until it is viewed properly, unlike typical stereograms.
Lenticular printing is a technology in which lenticular lenses (a technology also used for 3D displays) are used to produce printed images with an illusion of depth, or the ability to change or move as they are viewed from different angles.
A 3D-printed version of the Reutersvärd Triangle illusion. M.C. Escher's lithograph Waterfall (1961) depicts a watercourse that flows in a zigzag along the long sides of two elongated Penrose triangles, so that it ends up two stories higher than it began. The resulting waterfall, forming the short sides of both triangles, drives a water wheel.
Geometrical–optical illusions then relate in the first instance to object characteristics as defined by geometry. Though vision is three-dimensional, in many situations depth can be factored out and attention concentrated on a simple view of a two-dimensional tablet with its x and y co-ordinates.'