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In tonal languages, tone names are the names given to the tones these languages use. Pitch contours of the four Mandarin tones In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4.
This tone is known in traditional Chinese linguistics as the entering (入 rù) tone, a term commonly used in English as well. The other three tones were termed the level (or even) tone (平 píng), the rising (上 shǎng) tone, and the departing (or going) tone (去 qù). [2]
Many tone languages have contour tones, which move from one level to another. For example, Mandarin Chinese has four lexical tones. The high tone is level, without contour; the falling tone is a contour from high pitch to low; the rising tone a contour from mid pitch to high, and, when spoken in isolation, the low tone takes on a dipping ...
A tone in a contour-tone language which remains at approximately an even pitch is called a level tone. Tones which are too short to exhibit much of a contour, typically because of a final plosive consonant, may be called checked, abrupt, clipped, or stopped tones. It has been theorized that the relative timing of a contour tone is not distinctive.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
In more complex types of pitch-accent languages, although there is still only one accent per word, there is a systematic contrast of more than one pitch-contour on the accented syllable, for example, H vs. HL in the Colombian language Barasana, [5] accent 1 vs. accent 2 in Swedish and Norwegian, rising vs. falling tone in Serbo-Croatian, and a ...
In Sichuanese, the first tone (dark level tone) is a high level tone (like Beijing), the second tone (light level tone) is a low falling tone (the mirror image of Beijing), the third tone (rising tone) is a high falling tone and the fourth tone (departing tone) is a low or mid rising tone (interchanged compared to Beijing) and the fifth tone ...
Tone letters are then chosen based on the f 0 tone contours over this region. [13] [14] This linear approach is systematic, but it does not always align the beginning and end of each tone with the proposed tone levels. [15] Chao's earlier description of the tone levels is an exponential approach.