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Sonnet 72 continues after Sonnet 71, with a plea by the poet to be forgotten.The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poe
The speaker then tells his beloved youth that if even reading this sonnet will cause him to suffer, he should forget the hand that wrote the poem. Joseph Pequigney writes that the sonnet is a "persuasive appeal to be recalled, loved and lamented…a covert counterthesis". [ 3 ]
War memorial in ChristChurch Cathedral, Christchurch, New Zealand CWGC headstone with excerpt from "For The Fallen". Laurence Binyon (10 August 1869 – 10 March 1943), [3] a British poet, was described as having a "sober" response to the outbreak of World War I, in contrast to the euphoria many others felt (although he signed the "Author's Declaration" that defended British involvement in the ...
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
Memento mori (Latin for "remember (that you have) to die") [2] is an artistic or symbolic trope acting as a reminder of the inevitability of death. [2] The concept has its roots in the philosophers of classical antiquity and Christianity , and appeared in funerary art and architecture from the medieval period onwards.
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Doe claimed Combs then attempted to force her to perform oral sex, but she started punching and hit him in the neck. She said Combs “backed away in surprise,” giving her a chance to grab her ...
A remorseful Faust would not work well with the rest of Part 2. The forgetting powers of Lethe allowed him to forget the ending of the Gretchen drama and move on to the story of part 2. The French poet Charles Baudelaire referred to the river in his poem "Spleen", published posthumously in 1869. The final line is "Où coule au lieu de sang l ...