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There is also a visual component on synthwave album covers and music videos. According to PC Gamer, the essence of outrun visuals is "taking elements of a period of '80s excess millennials find irresistibly evocative, and modernizing them so they're just barely recognizable." [19] Other subgenres include dreamwave, darksynth, and scifiwave. [7]
Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
Pages in category "Synth-pop songs" The following 133 pages are in this category, out of 133 total. This list may not reflect recent changes. 0–9. 3AM (Pull Up) A.
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
As the decade progressed, a growing trend in the music industry was to promote songs to radio without the release of a commercially available singles in an attempt by record companies to boost albums sales. Because such a release was required to chart on the Hot 100, many popular songs that were hits on top 40 radio never made it onto the chart.
The genre has received criticism for alleged lack of emotion and musicianship; prominent artists have spoken out against detractors who believed that synthesizers themselves composed and played the songs. Synth-pop music has established a place for the synthesizer as a major element of pop and rock music, directly influencing subsequent genres ...
The term electroclash describes a musical movement that combined synthpop, techno, punk and performance art.The genre was in reaction to the rigid formulations of techno music, putting an emphasis on song writing, showmanship and a sense of humour, [6] and was described by The Guardian as one of "the two most significant upheavals in recent dance music history". [11]
In the late 1970s and early 1980s, music from the United Kingdom was informed by the after-effects of the punk/new wave revolution. [8] In 1979, "Roxanne" by the Police cracked the American Top 40, followed by the more modest chart successes of Elvis Costello, [9] Sniff 'n' the Tears, [10] the Pretenders, Gary Numan, Squeeze, and Joe Jackson; the latter scored a new wave hit with "Is She ...
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