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The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity.
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
The contemporary of Donatello, Masaccio, was the painterly descendant of Giotto and began the Early Renaissance in Italian painting in 1425, furthering the trend towards solidity of form and naturalism of face and gesture that Giotto had begun a century earlier.
The Tribute Money is a fresco by the Italian Early Renaissance painter Masaccio, located in the Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence.Painted in the 1420s, it is widely considered among Masaccio's best work, and a vital part of the development of Renaissance art.
Italian Also known as Gratiosus de Padua Antonio da Cividale: fl. 1392–1421: Italian Also known as Antonius de Civitate Austrie Nicolas Grenon: c. 1375 – 1456 French Oswald von Wolkenstein: 1376/77 – 1445 German Matteo da Perugia: fl. 1400–1416: Italian Antonius Romanus: fl. 1400–1432: Italian Pierre Fontaine: c. 1380 – c. 1450: French
[11] [12] The beginnings of the period—the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300—overlap considerably with the Late Middle Ages, conventionally dated to c. 1350–1500, and the Middle Ages themselves were a long period filled with gradual changes, like the modern age; as a ...
The early Renaissance saw almost constant warfare on land and sea as the city-states vied for preeminence. On land, these wars were primarily fought by armies of mercenaries known as condottieri, bands of soldiers drawn from around Europe (especially Germany and Switzerland) led largely by Italian captains. [105]
An unprecedented exhibition opening Wednesday at the Poldi Pezzoli Museum in Milan reunites for the first time in over 450 years eight surviving panels of the Augustinian Altarpiece by the early ...
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