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In the painting, four saints are shown: two sets of paired male and female saints. Furthest to the left of the composition is Saint Peter (pictured carrying the bible and the keys of heaven). [11] [10] Saint Peter is also seen with a yellow-orange mantle, which was finished with an arsenic sulfide mineral pigment. [14]
The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
Jacopo della Quercia, Italian Renaissance sculptor of altarpieces, statues of saints, and statues of Mother Mary [457] [458] Diego Quispe Tito, Cuzco School painter of Virgin of Carmel Saving Souls in Purgatory and scenes of Christ [459] [460] Ignác Raab, Czech Jesuit who did notable paintings of saints [461] [462]
The polychrome floor, and the architecture, including the base of the Madonna's throne, is depicted with the use of geometrical perspective, an innovation introduced in Italian early Renaissance art. [2] The saints portrayed are St John the Baptist and St Zenobius (patron saints of Florence), St Lucy (titular of the church where the painting ...
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
St. Francis in Ecstasy (or St. Francis in the Desert) is a painting by Italian Renaissance master Giovanni Bellini, started in 1475 and completed around 1480. Bellini depicted the religious figure of St. Francis of Assisi in a landscape. [1] In 1852, the painting was listed on June 19 at Christie's. It was part of the 1857 Manchester Art ...
The Four Apostles by is a Renaissance style diptych painting created by Albrecht Dürer in 1526. [1] This work, which includes two oil-on-panel paintings, depicts four prominent figures of Christianity: Saints John, Peter, Mark, and Paul.
Painted during Raphael's Roman period, it is a testament to his artistic maturity, evidenced in the painting's composition, coloring and form. [4] Conti commissioned the painting to commemorate his survival of a shell that exploded near him during the Siege of Foligno, his hometown. He credited his safety to heavenly intervention.
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