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The whetū (stars), purapura whetū (weaving pattern of stars) or roimata (teardrop) pattern is a geometric design using two colours and alternating between them at every stitch. This design is associated with the survival of an iwi (tribe), hapū (sub-tribe), or whānau (extended family), the idea being that it is vital to have a large whanau ...
Some of the names of tukutuku patterns are: [3] poutama – a stepped pattern, said to represent whakapapa, learning and the ascent of the god Tāne-o-te-wānanga into the heavens to attain superior knowledge and religion. [8] [9] roimata toroa – meaning "albatross tears", formed with vertical stitches and said to represent misfortune and ...
An unfurling silver fern frond Koru kōwhaiwhai patterns on a rafter from the Ngāti Maru wharenui Hotunui The koru flag. The koru (Māori for 'loop or coil') [1] is a spiral shape evoking a newly unfurling frond from a silver fern frond. [2] It is an integral symbol in Māori art, carving and tattooing, where it symbolises new life, growth ...
Europeans introduced Māori to their more figurative style of art, and in the 19th century less stylised depictions of people and plants began to appear on the walls of meeting houses in place of traditional carvings and woven panels. The introduction of European paints also allowed traditional painting to flourish, as brighter and more ...
Kete may be of many sizes but are most often found in sizes similar to large handbags. They can be used to carry a variety of things, including food. [2] Specialized kete were woven for each item that needed storage, resulting in dozens of specialized styles. [5]
Naming is a symbolic tradition of the islands' Maori population. Names form a link not only to ancestors, descendants, and friends, but to titles and land, as well as events and relationships. Dreamed or created, name change are not limited to events, such as birth, marriage, and death, but can also occur in association with a bad omen.
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Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.