Search results
Results from the WOW.Com Content Network
Ich weiß, daß mein Erlöser lebt (I know that my Redeemer lives), TWV 1:877, BWV 160, is a church cantata composed around 1725 by Georg Philipp Telemann for Easter Sunday, formerly attributed to Johann Sebastian Bach. [1]
My Redeemer Lives: Gordon B. Hinckley: G. Homer Durham: 136: I Know That My Redeemer Lives: Samuel Medley: Lewis D. Edwards: 137: ... A Key Was Turned in Latter Days ...
Though the hymn is originally based on the Old Testament verse from the Book of Job, where Job proclaims "I Know That My Redeemer Lives" , [3] it is mostly used as a hymn for Easter Sunday commemorating the Resurrection of Jesus. [6] Medley was also inspired by Thomas the Apostle coming to believe after having seen Jesus after the Resurrection.
Look, he lives Lothar Zenetti: from Israel German 1973 "Thine Be the Glory, Risen Conquering Son" Edmond Louis Budry, translated by Richard Hoyle "Maccabaeus" English/French 1923 Originally published in French as "À toi la gloire O Ressuscité" "Wahrer Gott, wir glauben dir" True God, we believe You Christoph Bernhard Verspoell: Verspoell ...
Among works by Gates are an arrangement of The Lord's Prayer, the Easter cantata "Resurrection Morning", "My Redeemer Lives", "How Long Oh Lord Most Holy and True" (words by his brother-in-law, John A. Widtsoe), "Hear My Prayer" and "The Festival Overture".
In German the phrase translates as "Ich weiß, daß mein Erlöser lebt" (and several spelling variants): "Ich weiß, daß mein Erlöser lebt", a German hymn, for instance included in the Neu Leipziger Gesangbuch
My Redeemer Lives: Reuben Morgan: By Your Side (2) 1 Extravagant Worship: The Songs of Reuben Morgan (2) 1 (CD 2) My Redeemer Lives (3) 4 Touching Heaven Changing Earth (1) 1 Shout to the Lord 2000 (3) 11 The Platinum Collection Volume 1: Shout to the Lord (2) 3 (CD 1) Ultimate Worship (2) 2 My Story (Live) Reuben Morgan and Jarrad Rogers: No ...
The aria for soprano "I know that my Redeemer liveth" draws from both Job and Paul. The words are "an expression of faith in redemption" and announce the Second Coming of Christ . [ 7 ] The aria begins with an ascending fourth , a signal observed by musicologist Rudolf Steglich as a unifying motif of the oratorio, [ 5 ] on the words "I know ...