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The style of pottery created by the Jōmon people is identifiable for its "cord-marked" patterns, hence the name "Jōmon" (縄文, "straw rope pattern").The pottery styles characteristic of the first phases of Jōmon culture used decoration created by impressing cords into the surface of wet clay, and are generally accepted to be among the oldest forms of pottery in East Asia and the world. [9]
Ancient Jomon of Japan. Cambridge, MA: Cambridge Press. ISBN 978-0-521-77670-7. Habu, Junko, "Subsistence-Settlement systems in intersite variability in the Moroiso Phase of the Early Jōmon Period of Japan" Hudson, Mark J., Ruins of Identity: Ethnogenesis in the Japanese Islands, University of Hawai`i Press, 1999, ISBN 0-8248-2156-4
Films set in the Kingdom of Prussia (1701–1918). During the 19th century, it was part of first the German Confederation (1815-1848, 1850-1866), secondly the North German Confederation (1867-1871), and lastly the German Empire (1871–1918).
In the King of Prussia is a 1983 film directed and written by Emile de Antonio.The film reconstructs the events of the 1980s "Plowshares Eight".The group of anti-war activists were charged with the September 1980 destruction of nose cones designed for nuclear warheads at the Re-Entry Division of the General Electric Space Technology Center in King of Prussia, Pennsylvania.
The earliest period of Japanese historiography is the hunter-gatherer Jōmon period, which is thought to have been primarily animistic.In the later centuries (14,000–400 BC) of this period, there was an emergence of distinctive material artifacts such as clay figurines (known to scholars as dogū), intricate ceramics, and masks.
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This is a filmography of films and videos that portray the life and culture of the Ainu people of what is now northern Japan and the fringe of the Russian Far East. Representations of the Ainu can vary from the strictly documentary to the fictional and, as with representations of Native Americans in Hollywood cinema, may suffer from distortions ...
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