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The term stained glass ... (sometimes called "table glass") ... This was the most common method of making inscriptions in early medieval glass, giving white or light ...
For Suger, stained glass became a way to create a glowing, unworldly light ideal for religious reflection. [4] Suger described the finished work at Saint-Denis as "a circular string of chapels, by virtue of which the whole church would shine with the wonderful and uninterrupted light of most luminous windows, pervading the interior beauty". [ 3 ]
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass, the company existed from the 18th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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