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Artemis (seated and wearing a radiate crown), the beautiful nymph Callisto (left), Eros and other nymphs. Antique fresco from Pompeii. In Greek mythology, Callisto (/ k ə ˈ l ɪ s t oʊ /; Ancient Greek: Καλλιστώ Greek pronunciation: [kallistɔ̌ː]) was a nymph, or the daughter of King Lycaon; the myth varies in such details.
Diana Bathing with her Nymphs with Actaeon and Callisto is a 1634 painting by the Dutch painter Rembrandt van Rijn. It is now in the Salm-Salm princely collection in the Wasserburg Anholt in Anholt, Germany. It shows two episodes from Ovid's Metamorphoses, in both of which someone is punished by the goddess Diana for a sexual offence.
Articles relating to Callisto and her depictions. She was a nymph, or the daughter of King Lycaon. She was believed to be one of the followers of Artemis who attracted Zeus. Many versions of Callisto's story survive.
In Greek mythology, Callisto was a nymph, or the daughter of King Lycaon, king of Arcadia (which was claimed by Hesiod [3] [4]). For the Romans, she was one of the virginal companions of Diana, who caught the eye of Zeus . As a follower of Artemis, Callisto took a vow to remain a virgin, as did all the nymphs of Artemis.
Diana and Callisto is a painting completed between 1556 and 1559 by the Italian late Renaissance artist Titian. It portrays the moment in which the goddess Diana discovers that her maid Callisto has become pregnant by Jupiter . [ 1 ]
Arcas: son of Zeus and Callisto, a nymph and minor goddess associated with Aphrodite. Aristaeus: son of Apollo and Cyrene, a Thessalian princess. He was a shepherd who was made a god after inventing skills such as cheese-making and bee-keeping. [4] Asclepius: son of Apollo and Coronis, who achieved divine status after death. He became such a ...
Jupiter and Callisto or The Nymph Callisto Seduced by Jupiter in the Guise of Diana is a 1759 oil painting on canvas by the French Rococo painter François Boucher, now in the Nelson-Atkins Museum of Art in Kansas City, United States. It shows Jupiter seducing Callisto whilst disguised as Diana. [1]
As a depiction of Diana, the painting is notable in part for what it does not depict—neither Actaeon catching sight of Diana and her nymphs bathing nor the actual moment when Callisto's pregnancy is revealed, both popular themes in mannerist painting in the early 17th century. Nor does the artist show Diana's hot temper or her harsh reactions ...
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