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"In the Flesh" is the twenty-first song of the album, and is a reprise of the first with a choir, different verses and more extended instrumentation. [ 3 ] The title is a reference to the band's 1977 In the Flesh Tour , during which Roger Waters , in frustration, spat at a fan who was attempting to climb the fence separating the band from the ...
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [8] It is structured by two repeating rhymes and two refrains: the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves as the last line of the third and fifth stanzas.
The Wall is the story of Pink, who grows up to become an alienated and embittered rock star, with a failing marriage and feelings of megalomania. [5] " The Thin Ice" can be seen as the introduction to his story, since the previous song, the album's opening track "In The Flesh?" is chronologically placed later in the album's narrative, and then the story is begun via flashback.
"Mary Shelley's Frankenstein," on stage at Merrimack Repertory Theatre in Lowell, delves into the lives of the author, her husband and their friends.
Augustine: "If men are disturbed however by its being said that the Word was made flesh, without mention of a soul; let them know that the flesh is put for the whole man, the part for the whole, by a figure of speech; as in the Psalms, Unto thee shall all flesh come; (Ps. 65:2) and again in Romans, By the deeds of the law there shall no flesh ...
Thorn in the flesh is a phrase of New Testament origin used to describe an annoyance, or trouble in one's life, drawn from Paul the Apostle's use of the phrase in his Second Epistle to the Corinthians 12:7–9: [1]
Jesus only appeared to be a flesh-and-blood man; his body was a phantasm. Other groups who were accused of docetism held that Jesus was a man in the flesh, but Christ was a separate entity who entered Jesus' body in the form of a dove at his baptism, empowered him to perform miracles, and abandoned him upon his death on the cross. [14]
"Don't Walk Away" is a song by American R&B group Jade, released in November 1992 by Giant Records as the second single from their debut album, Jade to the Max (1992). It samples the drums from Kool & the Gang 's 1975 song " Jungle Jazz " and the chords progression from Stevie Wonder 's 1982 song " That Girl ".