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The Twilight Saga: New Moon (or simply New Moon) is a 2009 American romantic fantasy film directed by Chris Weitz from a screenplay by Melissa Rosenberg, based on the 2006 novel New Moon by Stephenie Meyer. [2] The sequel to Twilight (2008), it is the second installment in The Twilight Saga film series.
New Moon is a 1940 American musical film released by Metro-Goldwyn-Mayer and directed by Robert Z. Leonard, with uncredited direction by W. S. Van Dyke. It is the second film adaptation of the operetta The New Moon , which premiered on Broadway in 1928.
New Moon is a 1930 black-and-white American, pre-Code romantic/drama/melodrama musical film version of the operetta The New Moon, with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II and others. The original stage version premiered on Broadway in 1928.
The Twilight Saga: New Moon: Original Motion Picture Soundtrack was released on October 16, 2009 [102] by Patsavas' Chop Shop label, in conjunction with Atlantic Records. [100] The album debuted at No. 2 on the Billboard 200, later jumped to No. 1 with 153,000 copies sold. The Twilight Saga: New Moon: The Score was released on November 24, 2009.
The score for The Twilight Saga: New Moon was composed by Alexandre Desplat [1] while the rest of the soundtrack was chosen by music supervisor Alexandra Patsavas, who also produced the Twilight soundtrack. [2] The New Moon – Original Motion Picture Soundtrack album was released on October 16, 2009 [3] by Patsavas' Chop Shop label, in ...
Alex's first big film was The New World as one of the Powhatan core warriors, inspiring him to continue acting. Thereafter he was in the running for the film Apocalypto but in the end was turned down. His big break came when he was cast as werewolf Paul Lahote in the film New Moon. [3] He also starred in the latest season of CSI: New York.
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The New Moon is an operetta with music by Sigmund Romberg, lyrics by Oscar Hammerstein II and book by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third in a string of Broadway hits for Romberg (after The Student Prince (1924) and The Desert Song (1926)) written in the style of Viennese operetta .
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