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The Disappointments Room is a 2016 American psychological horror film directed by D. J. Caruso, written by Caruso and Wentworth Miller, and starring Kate Beckinsale and Mel Raido as a couple in a new house that contains a hidden room with a dark, haunted past. The film was inspired by an HGTV episode from a segment called "If Walls Could Talk".
Miller was born in Chipping Norton, Oxfordshire, England, to American parents. [2] His mother, Roxann (née Palm), is a special education teacher, and his father, Wentworth E. Miller II, is a lawyer and teacher, who was studying at the University of Oxford on a Rhodes Scholarship at the time of Miller's birth.
I watched the movie and was wondering if "disappointments rooms" is or was a thing: that it has basis in non-fiction. I did a search at Google Books which returned no results of the phenomenon described in the movie: [1] [2]
Here are the 27 best new books coming out this week, August 27 to September 2, 2024. ... History comes to life with great works of biography. ... (or frankly, to brighten up a guest room or their ...
Lazarus Man, by Richard Price This gripping urban drama from a master (Clockers, The Wire) revolves around the collapse of a five-story apartment building in Harlem, followed by a search-and ...
Daniel John Caruso Jr. (/ k ə ˈ r uː s oʊ /; born January 17, 1965) is an American film director, producer, and screenwriter.His work encompasses a variety of genres, including thriller (Disturbia, Taking Lives), drama (Standing Up), horror (The Disappointments Room), and action (I Am Number Four, XXX: Return of Xander Cage).
From beloved TV stars to breakout film actors and musicians, B-listers are the unsung heroes of the celebrity world.B-list celebrities often have more room to experiment and take on unique roles ...
Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis is a nonfiction book by Sara Marcus.The book focuses on the Reconstruction era and the 20th century in the United States, conducting close readings of various works from the period to support the thesis that supporters of social justice experienced it as a succession of "political disappointments".