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The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
Finding a particular piece of music within one of these multi-volume sets can often be difficult, as many of the series do not have general indices. For pieces within a composer's complete works set, researchers often consult the New Grove Dictionary of Music and Musicians (Second Edition, 2001), either online or in its printed version ...
An extended play (EP) is a musical recording that contains more tracks than a single but fewer than an album or LP record. [1] Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. [2] An EP is usually less cohesive than an album and more "non-committal". [3]
A definition of music endeavors to give an accurate and concise explanation of music's basic attributes or essential nature and it involves a process of defining what is meant by the term music. Many authorities have suggested definitions, but defining music turns out to be more difficult than might first be imagined, and there is ongoing debate.
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
Material (music or sounds) is stored on an album in sections termed tracks. A music track (often simply referred to as a track) is an individual song or instrumental recording. The term is particularly associated with popular music where separate tracks are known as album tracks; the term is also used for other formats such as EPs and singles ...
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The second edition, also edited by Apel, was published in 1969. A new editor, Don Michael Randel, took over for the third edition in 1986. The book was retitled The New Harvard Dictionary of Music, and featured expanded coverage of twentieth-century and non-Western music, and including information on jazz and popular music for the