Search results
Results from the WOW.Com Content Network
Paul McCartney performing in 2018. Paul McCartney is an English musician who has recorded hundreds of songs over his career of more than sixty years. As a member of the Beatles, he formed a songwriting partnership with his bandmate John Lennon that became the most celebrated in music history. [1]
Pages in category "Songs written by Paul McCartney" The following 200 pages are in this category, out of approximately 547 total. This list may not reflect recent changes .
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
It was written by Paul McCartney and credited to Lennon–McCartney, and performed as a solo piece by McCartney. When discussing the song, McCartney has said that the lyrics were inspired by hearing the call of a blackbird in Rishikesh, India, and by the civil rights movement in the Southern United States.
This song was released as a 7-inch single, a 12-inch maxi-single in three versions, a cassette single, and a CD single. All songs were written by Paul McCartney except where noted. 7-inch and cassette single "This One" – 4:10 "The First Stone" – 4:03 (McCartney, Hamish Stuart) 7-inch single UK limited edition "This One" – 4:10
"Martha My Dear" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the "White Album"). Credited to Lennon–McCartney, the song was written solely by Paul McCartney, and was named after his Old English Sheepdog, Martha.
The Grateful Dead played this song in concert 16 times between 1991 and 1995. [7] The first time they played the song live is available on Dick's Picks Volume 17.. In 2010, Jack White interpolated a bridge of "That Would Be Something" into his performance of "Mother Nature's Son", another one of McCartney's compositions, during a concert held at the White House during which McCartney was ...
"Temporary Secretary" is a song by Paul McCartney, released as the third single from his album McCartney II in September 1980. Dominated by a dissonant sequenced synthesiser line, NME later described the song as "wonky electropop that didn't sound so much ahead of its time as out of it altogether."