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In the 21st century, some companies and individuals are working on reviving, preserving, and upholding Vietnamese traditional culture, including Vietnamese clothing and designs. In 2013, researcher Trần Quang Đức published the book Ngàn năm áo mũ , marking the first step in restoring traditional costumes in Vietnam.
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
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Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta. Often worn as a top and bottom set, the áo bà ba is ...
Traditional Vietnamese art is a part of art practiced in Vietnam or by Vietnamese artists, from ancient times (including the elaborate Đông Sơn drums) to post-Chinese domination art which was strongly influenced by Chinese Buddhist art, as well as Taoism and Confucianism.
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