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Multiperspectivalism (sometimes triperspectivalism) is an approach to knowledge advocated by Calvinist philosophers John Frame and Vern Poythress.. Frame laid out the idea with respect to a general epistemology in his 1987 work The Doctrine of the Knowledge of God, where he suggests that in every act of knowing, the knower is in constant contact with three things (or "perspectives") – the ...
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
The Western origins of perspectivism can be found in the pre-Socratic philosophies of Heraclitus [20] and Protagoras. [2] In fact, a major cornerstone of Plato's philosophy is his rejection and opposition to perspectivism—this forming a principal element of his aesthetics, ethics, epistemology, and theology. [21]
The movement was pioneered in partnership by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. [4] One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne. [2]
Theory of mind is the awareness that people have individual psychological states that differ from one another. [15] Within perspective-taking literature, the term perspective-taking and theory of mind are sometimes used interchangeably; some studies use theory of mind tasks in order to test if someone is engaging in perspective-taking. [16]
Robert Lowell Fantz [1] (1925–1981) [2] was an American developmental psychologist who pioneered several studies into infant perception. In particular, the preferential looking paradigm introduced by Fantz in the 1961 is widely used in cognitive development and categorization studies among small babies.
The 1913 Armory Show in New York City displayed the contemporary work of European artists, as well as Americans. The Impressionist, Fauvist and Cubist paintings startled many American viewers who were accustomed to more conventional art. However, inspired by what they saw, many American artists were influenced by the radical and new ideas.
Chevreul realized It was the eye, and not the dye, that had the greatest influence on color, and from this, he revolutionized color theory by grasping what came to be called the law of simultaneous contrast: that colors mutually influence one another when juxtaposed, each imposing its own complementary color on the other.