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The Nikkatsu Company conceived Take Aim at the Police Van as a borderless action film, a studio subgenre with internationalized characters and setting. Contract director Seijun Suzuki had previously worked mainly on pop song films, a youth subgenre in which the films were built around an already popular song, and yakuza films with an occasional film noir bent. [2]
Take Aim at the Police Van: 13号待避線より その護送車を狙え Jūsangō taihisen yori: Sono gosōsha o nerae: Sleep of the Beast: けものの眠り Kemono no nemuri: 0-Line Stowaway: 密航0ライン Mikkō zero rain: Everything Goes Wrong: すべてが狂ってる Subete ga kurutteru: Go to Hell, Hoodlums! くたばれ愚連隊
Take Aim at the Police Van: Seijun Suzuki 1960 Japan [50] Targets: Peter Bogdanovich: 1968 United States [51] Taste of Fear: Seth Holt: 1961 United Kingdom [52] Thérèse Desqueyroux: Georges Franju 1962 France [26] They Shoot Horses, Don't They? Sydney Pollack 1969 United States [17] The Thief of Paris: Louis Malle 1967 France [26] The Third ...
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Pedestrian who died in police van collision named. Pedestrian dies after being hit by police van. Prosecutors said Hamill, who had 18 months service with the force, had been "visibly upset" after ...
"FBI Newark and New Jersey State Police want to warn the public about an increase in pilots of manned aircraft being hit in the eyes with lasers because people on the ground think they see an ...
I Am Waiting (俺は待ってるぜ, Ore wa matteru ze) is a 1957 Japanese crime film directed by Koreyoshi Kurahara. [2] [3] "I Am Waiting" was part of the Nikkatsu film studio's wave of Japanese noir films, in order to compete with popular American and French films in Japanese box offices.
Cruel Gun Story (拳銃残酷物語, Kenjū zankoku monogatari) is a 1964 Japanese heist film directed by Takumi Furukawa. [1] [2] [3]This film was made available in North America when Janus Films released a special set of Nikkatsu studio's Noir films as part of The Criterion Collection, also including I Am Waiting, Rusty Knife, Take Aim at the Police Van, and A Colt Is My Passport.