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Some cameras provide options for fine-tuning settings such as sharpness and saturation, which may be referred to as "Styles" or "Films". Some cameras offer color-altering settings to do things such as make the photograph black-and-white or sepia, swap specific colors, or isolate colors.
Balancing the flash power and ambient lighting or using off-camera flash can help overcome these issues. Using an umbrella or softbox (the flash will have to be off-camera for this) makes softer shadows. A typical problem with cameras using built-in flash units is the low intensity of the flash; the level of light produced will often not ...
Either the flash is firing too late or the shutter speed is too fast (shutter moving vertically). Note the different exposure levels. In photography, flash synchronization or flash sync is the synchronizing the firing of a photographic flash with the opening of the shutter admitting light to photographic film or electronic image sensor. PC-socket
Guide number distances are always measured from the flash device to the subject; if the flash device is detached from the camera, the position of the camera is irrelevant. Furthermore, unless a flash device has an automatic zoom feature that follows the setting of a camera's zoom lens, guide numbers do not vary with the focal length of lenses.
The only control on the unit is a MENU button, which is a shortcut to the camera's flash control settings. All flash configuration is done using the camera's menu or with the Canon Connect app on a device. It is powered by the camera, so no batteries are needed, and it does not have a focus-assist light.
A mode dial or camera dial is a dial used on digital cameras to change the camera's mode. Most digital cameras, including dSLR and mirrorless cameras, support modes, selectable either by a rotary dial or from a menu. On point-and-shoot cameras which support modes a range of scene types is offered. On dSLR and mirrorless cameras, mode dials ...
The advantage of using a fill flash located near the lens axis is "normalizing" exposure in situations like backlighting which exceed the ability of the camera to handle the contrast of the lighting. The disadvantage is the same one seen in indoor near-axis flash shots; a lack of directional modeling clues.
When using rear-curtain flash (when the flash fires at the end of the exposure) and a slow shutter speed, the distinction between the main flash and the preflashes is more obvious. [5] Some cameras and flash units take more information into account when calculating the necessary flash output, including the distance of the subject to the lens.
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