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Garland of Flowers with Bird and a Butterfly is a c.1650-1670 still life oil on canvas painting, now in the Musée du Louvre in Paris. The eponymous animals in the centre are a great tit (top), a nine-primaried oscine (bottom) and a peacock butterfly . [ 1 ]
Flowers in a glass vase on a balustrade with colunnade: 1689: 79:25: San Diego Museum of Art: San Diego, CA Spray of flowers with insects and butterflies on a marble slab: 1690s: 36.6 cm x 30.4 cm: PD.38-1975: Fitzwilliam Museum: Cambridge Posy of flowers, with a red admiral butterfly, on a marble ledge: ca. 1695: 34.5 cm x 27.3 cm: Private ...
Her asymmetrical compositions with drooping flowers and wild stems created paintings that seemed to possess a great energy about them. In her early work Ruysch painted a large number of forest floor pictures that feature small animals, reptiles, butterflies, and fungi. She later adopted flower painting as her main concern and continued to paint ...
For example, sometimes the butterfly is resting on a flower stem, or on the edge of a table with a flower vase, or on a book. The butterfly was used as a device to draw the viewer's attention into the painting and into van Oosterwijck's artistic vision. [8] The butterflies are also symbolic of Christ's resurrection. [17]
Opulent still life. Carstian Luyckx, also known as the Monogrammist KL [1] (1623 – c. 1675), was a Flemish painter and draughtsman who specialized in still lifes in various subgenres including flower still lifes, fruit still lifes, fish still lifes, pronkstillevens (sumptuous still lifes), vanitas still lifes, hunting pieces and garland paintings.
Her father died in 1650, and in 1651, her mother remarried Jacob Marrel, the flower and still life painter. Marrel encouraged Merian to draw and paint. While he lived mostly in Holland, his pupil Abraham Mignon trained her. At the age of 13, she painted her first images of insects and plants from specimens she had captured. [5]
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The idea for the manual was taken up by a former pupil of Nicolas Robert, Catherine Perrot , received at the Académie royale de peinture et de sculpture (1682): The Royal Lessons, or the Method of Painting Miniatures of Flowers and Birds, based on an Explanation of the Books on Flowers and Birds by the late Nicolas Robert, Flower painter [39 ...