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It is among the oldest known embroidery styles in Chinese embroidery history. Its raw materials are satin and colored silk, its craftsmanship painstaking and refined. The emphasis is on even stitching, delicate coloration, and local flavor. Sichuan embroidery is used to decorate quilt covers, pillowcases, garments, shoes and painted screens.
Suzhou embroidery, Su embroidery or Su xiu (simplified Chinese: 苏绣; traditional Chinese: 蘇繡) is the embroidery created around the city of Suzhou, Jiangsu, China. It is one of the oldest embroidery techniques in the world and is the most representative type of art in Chinese embroidery .
In addition, borrowing skills of traditional painting, Xiang Embroidery has also given full play to the embroidery technology. Therefore, it finally forms a realistic, bright and simple style strongly affected by the local culture of Hunan and has the simplicity and elegance of Chinese wash painting on the other hand.
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Sichuan embroidery is one of the so-called "four great embroideries of China" along with Cantonese embroidery, Suzhou embroidery and Xiang embroidery.Throughout its history, Sichuan embroidery developed a quality of being smooth, bright, neat, and influenced by its own geographical environment, various customs and cultures, with significant foreign influences being Sasanian, Sogdian and ...
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This ...
Court Ladies Preparing Newly Woven Silk is a silk painting attributed to Emperor Huizong of the Song dynasty. It is the only extant copy of a lost original Court Ladies Preparing Newly Woven Silk by Chinese artist Zhang Xuan. [1] The painting depicts an annual imperial ceremony of silk production, held in spring.
The Miraculous Image of Liangzhou is an 8th-century silk embroidery on hemp cloth found in the Mogao Caves in China, [1] as part of the large deposit of various types of artefact uncovered in a sealed off library in 1907 by Sir Aurel Stein.
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