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In the visual arts, shape is a flat, enclosed area of an artwork created through lines, textures, or colours, or an area enclosed by other shapes, such as triangles, circles, and squares. [1] Likewise, a form can refer to a three-dimensional composition or object within a three-dimensional composition. [2]
Olivier Messiaen's Mode de valeurs et d'intensités highest of three unordered divisions of the mode,([4] [5] or, less precisely, "three series forms [caption: 'for pitch, duration, dynamics, and articulation']...treated as unordered collections", [6] —which Boulez, "the pupil intending to teach the master a lesson", adapted as an ordered ...
Satie composed the Trois morceaux en forme de poire in Paris between August and November 1903, during a period of creative crisis. He was unhappy earning a meager living writing and performing cabaret music, and had abandoned his recent "serious" musical projects - the piano piece Le poisson rêveur (1901) and the orchestral tone poem Le Bœuf Angora (c. 1901) - as failures. [2]
The dynamic form of the sculpture created an impression as if disconnected elements were revolving in the air around the construction, attracted by its centrifugal force. For the next edition, Więcek prepared Upward Flight – Spatial Composition , in which the geometry of a flying ball was studied, with two spherical forms hanged on metal ...
The commune of Pornichet was created in 1900 from parts of Saint-Nazaire and La Baule-Escoublac. [4] Situated on the shores of the Atlantic Ocean, the area that will become Pornichet developed in the middle of the 19th century with seaside tourism, as evidenced by its original villas, some of which have escaped the destruction caused by ...
Cabaret des Quat'z'Arts The interdisciplinary mixture of the arts created avant-garde collaborative performances. Similar to Le Chat Noir , the Quat'z'Arts was a gathering place for artists, composers, musicians, performers, poets, illustrators, and theater critics, attracting newcomers such as Pablo Picasso and Apollinaire .
The structure of the piece follows a variation on ternary (A–B–A′) form. [4] A begins in bar 1; B begins in bar 42; and A′ begins in bar 48. This three-part form is articulated by the dynamic structure: A and A′ have only soft dynamics (piano or softer), while B has a wider dynamic from piano to forte.
The history of collaboratively devised performance is as old as the theatre: we see prototypes of contemporary devising practice in ancient and modern mime, in circus arts and clowning, in commedia dell'arte; some cultural traditions, indeed, have always created performance through predominantly collectivist methods (theatre scholar and performance maker Nia Witherspoon, for instance, has ...